中華人民共和國的建立對中國美術的發展產生了重大影響。這種影響也毋庸置疑地作用于畫家傅抱石。經過最初一段時期的適應，傅抱石逐步完成繪畫創作的轉變，社會政治地位也日益鞏固，從最初的邊緣化狀態逐漸走向江蘇美術創作的核心。與此同時，他的思想與觀念也不斷發生變化，從不理解、到接受、到認同，到歌頌，到迎合，再到趨從，由一個游離於政治之外的自由畫家演變成一個體制內的創作者，演變成各種現實政策的「應聲者」和表態者，由與政治結緣到與政策結緣，這一系列的快速轉變，使他的獨立的創作日益難繼。本文試圖從社會政治和個人心理的角度，解釋傅抱石晚年的心路變化過程，分析其真實的人性和人格，以立體呈現出其晚年創作多樣面目的心理活動。
傅抱石、政治、藝術、心路、轉變
The establishment of the People's Republic of China has had a significant impact on the development of Chinese fine arts. This impact also undoubtedly affected Fu Baoshi, the painter. After an initial period of adaptation, Fu Baoshi step by step completed the change in his creation of painting. He increasingly consolidated his social and political status, gradually moving from the initial marginalized state toward the core of artistic creation in Jiangsu Province. At the same time, his thoughts and ideas were also constantly changing, from uncomprehending to accepting, identifying, eulogizing, catering, and converging. From a free painter outside politics, he became a creator within the system and even a yes-man and advocate in regard to a variety of practical politics, from attaching himself to politics to attaching himself to policies. This series of rapid changes made it increasingly difficult for him to create independently. This essay aims at explaining the changes in Fu Baoshi's journey within, during his later years from the perspective of socio-political and personal psychology and analyze his turn human nature and character; in order to present vividly the various features in his mental activities behind art creation during his later years.
Fu Baoshi, politics, art, journey within, change
