原住民藝術發展及場域社群分析： 以「原藝幫」駐村藝術家為例

Abstract

The years from the early 1990s to the present can be said as an important period in the development of the art of the indigenous ethnic groups in Taiwan. During these 20 years, the Taiwanese indigenous art has flourished, its creation has become common practice, and many young artists have appeared. With the concept of "art field" as basic, this essay mainly explores the development of the concept and the communities of the indigenous art, in order to examine the discussions on contemporary indigenous art. With the selection of resident village artists by the Council of Indigenous People, Executive Yuan as an example, its purpose is to understand the art ecology of the indigenous ethnic groups in Taiwan and to analyze the relationship among the communities of indigenous artists and the pattern of their development from the perspective of field structure. The essay is implied to enhance the multicultural understanding of the essence of the ethnic group art.