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一般論文
現代美術學報 14
Journal of Taipei Fine Arts Museum 14

觸覺空間與平滑空間—德勒茲論培根的思想開展與特色

Haptique Space and Smooth Space: Discussing the Ideological Elaboration of Gilles Deleuze on Francis Bacon

摘要

本文旨在探討德勒茲論培根的思想意圖。第一部分說明論文動機與論述方式。第二部分評述德勒茲論培根的思想工具與對象,尤其分析德勒茲使用語詞與反對槪念的原因。第三部分討論德勒茲論培根繪畫,所採行的地理學的觀察、描述與聯想。第四部份闡明德勒茲以畫面爲基礎,結合歷史判斷,所勾勒材質流變、觸覺空間與平滑空間之現代性指標。第五部分揭開德勒茲的藝術作品本體論兩大觀念:抽象機器與圖表。最後,歸納出德勒茲對藝術、思想與語言的看法,以及論培根的兩個瑕疵。

關鍵詞

語詞、觸覺空間、平滑空間、抽象機器、圖表

Abstract

This paper discusses the ideological elaboration of Gilles Deleuze on the paintings of Francis Bacon. The first part explains the motivation and methodology of this paper. The second part discusses the instruments of thoughts and objects that Deleuze used for analyzing Bacon's painting. The discussion pays a special attention to the words used by Deleuze and the reasons why Deleuze criticized Bacon. The third part discusses how Deleuze analyzed Bacon's paintings through the methods of observation, description, and connotation often used in the study of geology. The fourth part explains the index of modernity, integrated with historical judgment, used by Deleuze on describing the devenir in material, haptique space, and smooth space, based on the display of painting. The fifth part reveals the two major concepts in Deleuze's ontology of art: abstract machine and diagram. The conclusion of this paper points out the viewpoints of Deleuze on art, thinking, and language, and the two drawbacks in Deleuze's elaboration on Bacon.

Keywords

word, haptique space, smooth space, abstract machine, diagram

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