本文旨在探討 1896 年到兩岸分離前的中國「月份牌」裸女海報，如何反映出情慾價值觀及當時流行的審美觀？文章分為三部分進行，第一部分探討清末社會史中的解放乳房、小腳的主張，如何產生「月份牌」海報中的女性裸露題材影響她們穿高跟鞋和展露身材等審美觀。第二部分探討中國「月份牌」情慾藝術的三種類型：情慾裸露、親子裸露、運動裸露，探究豐滿乳房在裸女海報中扮演的社會角色；最後進行三幅倚姿「月份牌」裸女圖和西洋維納斯的作品比對，以探求「月份牌」裸女圖的源頭及社會意義。
This thesis explores the significance of "poster-calendars" from 1896 to 1949, and the way they show erotic values. I will discuss these points in three. First, I'll analysis two ideas, the breast-liberalization and bounded-foot's liberalization, affect the female representation on "poster-calendars"? In what ways do they wear high heels and expose their wonderful figures. Secondly, I try to classify some erotic "poster-calendars" into three types: exposed erotic female, breast feeding, and athletic erotic. Then I will elaborate the meanings of exposing breast in "poster-calendars". Finally, to find out the origins and social meanings of "post-calendars". I'll compare two calendars of lying female with some western art works of Venus.
