安聖惠是臺灣當代其中一位具有代表性的藝術家。她1968年生於屏東舊好茶。母親是魯凱族的頭目，所以她又以公主族名峨冷．魯魯安聞名。1990年代為族群認同而掙扎以及參與原住民社會運動。2002年她與一群藝術與音樂以及戲劇創作者，在臺東金樽海灘實驗駐地創作營。他們體驗祖先的原始生活以及沉思冥想過去；然而他們也討論著如何促進原住民未來權益。他們的聯結令人聯想德勒茲與瓜塔里的地下塊莖理念，「聯結任何一個點到其他任何一點」。近一步，地下塊莖「可能在特定一點斷裂，但將又從舊的線或新的線開始」，展現解脫疆界與重納疆界，以至於能夠「連續不斷地擴散與衍生繁殖」。在駐地創作營裡，安聖惠瘋狂著迷漂流木創作，後來創作了一系列的藝術作品，呼應地下塊莖的形像。
地下塊莖、安聖惠、峨冷、漂流木
An Sheng-hui is one of the representative artists of contemporary art in Taiwan. She was born in 1968 in the old Kuchapungan area of Pingtung. Her mother was the chief of the Rukai tribe; thus, Sheng-hui is also known by her princess name, Eleng Luluan. During the 1990s, she struggled with her cultural identity and became engaged in the sociocultural movements of Taiwan's indigenous people. In 2002 Eleng and a group of indigenous artists, musicians and actors organized an experimental camp on the beach of Chintsun, where they experienced their ancestors' primitive life and meditated on the past-while also discussing future rights for indigenous people. These connections among them are reminiscent of Deleuze and Guattari's concept of the rhizome, which "connects any point to any other point."[1] Further, a rhizome "may be broken...at a given spot, but will start up again on one of its old lines, or on new lines,"[2] demonstrating de-territorialization and re-territorialization, the ability to "continuously spread and multiply." During the camp, Eleng became fascinated with creating driftwood art, and later created a series of works echoing rhizomic images.
註解
rhizome, An Sheng-hui, Eleng Luluan, driftwood
