本文先論及歷屆台北雙年展發展上的特色及其困境，並藉此推論出適宜台北雙年展未來發展之策略。台北雙年展在建立的過程中，就不可避免的觸及「主體性」與「國際化」兩種想像間所造成的拉鋸；台北雙年展在轉型為「國際雙年展」，並經歷了三個階段不同策展結構的時期之後，依舊陷於有限的國際地域想像，並且缺乏和城市及觀眾的交流策略。探究其本質，除了策展機制的問題之外，台北雙年展缺乏對於各個層級的自我定位認識才是主因。因此，台北雙年展需透過探討基礎的自我定位問題；並搭配多元的策展結構、加強和臺北市立美館館內研究的關係等實驗性策略，方能有效推動台北雙年展於未來之發展。
台北雙年展、臺北市立美術館、策展策略、國際雙／三年展
This essay aims to describe benefits and difficulties of the Taipei Biennial, for propose the suitable strategies of its development in near future. The tensions between two imaginations, "identical subjectivity" and "internationalized", became the main issue during the establishment of the Taipei Biennial. After the transition into "international biennale", and experienced 3 periods of different curatorial structure, the Taipei Biennial still struggle in the limited imagination of "internationalized", and lacks of strategies to interact with the Taipei city and its audiences. Beside the difficulties of curatorial administration, the main reason why the Taipei Biennial struggles into these difficulties is it lacks of definitions in different layers. To benefit development of the Taipei Biennial in near future, the Taipei Biennial should redefine its position, and start to develop experimental strategies, such as adapt multiple structure of curating in the Taipei Biennial, and encourage the direct connection between the biennale and the research programs within the Taipei Fine Arts Museum.
Taipei Biennial, Taipei Fine Arts Museum, curatorial strategy, international biennale/triennale
