:::

從歷史脈絡看張啟華的創作養成

Reviewing Chung Chi-Hua's creativity development: from the historical point of view

連子儀

Lien, Tu-zi

國立高雄師範大學美術系研究生

Graduate School of Fine Arts, National Kaohsiung Normal University

張啟華，《海景》，1930，油彩、畫布，31×40cm，高雄市立美術館典藏

摘要

本文旨在從歷史脈絡探討張啓華的創作養成。張啓華，1910 年出生於高雄前鎭區，東京日本美術學校畢業，是目前可考的高雄市首位留日西洋畫家。臺灣光復後，1952 年他與摯友劉啓祥，以及劉清榮、鄭獲義、劉欽麟、林有涔、施亮、陳雪山、李春祥、林天瑞、宋世雄等人創立了「高雄美術硏究會」（簡稱高美會），並於隔年與「台南美術硏究會」（簡稱南美會）及嘉義之「春辰會」、「春萌會」組成「南部美術協會」（即南部展），是早年南部地區的美術發展的重要推手。將畫家生平置於時代脈絡下作觀看，除可追溯畫家的創作養成與歷史環境間的關係外，亦期待藉由不斷進行的田野資料蒐整，爲南部美術活動的軌跡，留下更多可資憑藉與參考的硏究史料。

關鍵詞

日據時代、高雄、張啓華、南部美術協會、印象派

Abstract

The study is trying to review Chung Chi-Hua's creativity development from the historical point of view. Chang Chi Hua was bom in 1910 in Chienchen, Kaohsiung. He graduated from the Japanese Academy of Art in Tokyo. After the retrocession of Taiwan, he established the Kaohsiung Fine Arts Research Association with his best friend Liu Chi-hsiang, and other friends Liu Ching-jung, Cheng Huo-yi, Liu Chin-lin, Lin Tien-jui, and Sung Shin-hsiung. In the next year, he established the Southern Fine Arts Association with Tainan Fine Arts Research Association, the Chun Chen Association and Chun Meng Association of Chiayi. He played an important role in the development of fine art in southern Taiwan at that time. The author wishes that through the study of the relation between the artists and historical events, this essay will provide more information on the development of fine art in southern Taiwan.

Keywords

During the Japanese colonial period, Kaohsiung, Chang Chi Hua, Southern Fine Arts Association, Impressionism

全文下載