本文重現台灣曾在2000年初出現的龐克小誌風潮，並連結國際龐克小誌到小誌（zine）文化運動的歷史脈絡，檢視小誌的文化政治意涵。本文一方面回顧國際文獻，說明小誌文化所具有的反抗性特質，包括挑戰主流文化、建立另類社群，以及全球反抗政治。另一方面，本文重建2000年前後本地龐克小誌的崛起歷程，檢視龐克DIY文化如何被引介，如何在獨立音樂場域中萌芽、擴散並彼此串連的過程。本文認為，晚近小誌文化運動，已逐漸多元、平易化，但由龐克小誌、音樂迷小誌作為認識入口，或可提供另一視角，重拾小誌、熱愛者文化的反抗性政治潛能。小誌的反抗性，正在於將小誌人由政治客體轉為政治性主體，在小誌大爆發的當下，值得重新喚醒。
龐克小誌、迷小誌、小誌、DIY 文化、反抗政治
This article explores the first wave of punk fanzine in Taiwan that appeared in the early 2000s. The author intends to link the origins of the international punk fanzine to the evolution of the zine movement in the Western countries, and to especially focus on the cultural and political implications of the resistance politics of the global punk zine. On the one hand, it reviews the rebellious nature of the zine culture which includes the challenging mainstream culture, establishing alternative communities, and the global resistance politics. On the other hand, it reconstructs the rise of the local punk fanzines around 2000, and examines how the punk DIY culture was introduced and how they sprouted, spread, and connected with each other within the independent music scene. The author argues that the emerging zine cultural movement since 2010 has gradually become diversified and the content has become easier to understand. However, using the developing history of the local punk zines and indie music fanzines as the entrance to better understand the current zine culture may provide another perspective. This article tries to bring back the resistance politics of the nature of zine culture and the political empowerment potential of the fans. The resistance nature of zine culture is turning zinesters from a passive political object to an active political subject. At a moment when zine culture has exploded in Taiwan, it is worth reawakening the resistant ethos of the punk fanzine and zines.
punk zine, fanzine, zine, DIY culture, politics of resistance
