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摘要
法國當代思想家尚．布希亞同時也是一位攝影家。他對攝影也發表了不少理論性的談論。本文主旨在於探索布希亞先前的理論工作和他的攝影談論間的關係。主要的切入角度是他曾討論過的「誘惑」主題。布希亞關於「欺眼擬真畫」中的向度缺乏的分析，由其間接寓意中談及世界作為表象及幻象的問題，以及結合原應分離的兩者這些論題，成為其攝影和誘惑探討中一些相關連的線索。[1]
註解
- ^ 本文的一個綱要式版本〈攝影與誘惑〉，曾發表於2014年7月《藝外ARTITUDE》，第58期，頁96-101。
關鍵詞
尚．布希亞、攝影、誘惑、欺眼擬真畫、納西斯
Abstract
The contemporary French thinker Jean Baudrillard was also a photographer, who published numerous discourses on photography. The present essay proposes to explore the relationship between his earlier theoretical writings and his discourses on photography. The main angle of approach is the theme of "seduction" as explored in Baudrillard's work. This essay will employ Baudrillard's analysis of the two-dimensionality of the trompe-l'oeil painting, and by indirect inference the problem of the world existing as a surface image and an illusion. By bringing together these separate theories, we can find connections between his ideas on photography and seduction.
Keywords
Jean Baudrillard, photography, seduction, trompe-l'oeil, Narcissus
註釋
