「例現」藝術效果的發生學 —論戈德曼的新歸納法對藝術問題的回應

Abstract

Against Hume's difficult problem, Nelson Goodman's theory of projection explores the reliability of knowledge through the analysis of language. "The Grue enormous theory" dramatically showed artistic effects that have shaked the known conceptual world. Although 'Grue' cannot be rejected on the ground of its unconventionality, Goodman's concern is rather about the back ground against which would predicates are established. This situation is similar to his later development of the 'symbolic theory' discursing under which circumstances can an object be an art work and can perform artistic junctions as a symbol. Not only is the knowledge natural science, but also the knowladge of the humanities; not only written symbols, but also non-written symbols, are all tools, for the construction of world in the hands of the artists. His interest in practical and fictional means for exceeds his pursuits of the a priori and the truth. How does the multiple symbolic system function in the practical world? He gains the perspective of 'symbolic theory' through 'projection theory', searching for its interual connections, revealing how human will accepts, abolishes, reforms and re-accepts the familiar world.