當紀錄影像成為檔案文件：當代影像紀錄態度的轉變與其差異性目的

Abstract

This essay attempts to explore the transforming relationship between documentary image and archival document, in contemporary arts, as well as the new documentary aesthetic derived from it in the current society. From historic testimony and mechanism of conservation to traditional photojournalism, series photographes, typological visual archives, even modern digital archives, those ever pluralizing documentatory forms, on the one hand, indicate that document can use pluralized new photographic concepts, and can become planned, serial, or systematic forms; on the other hand, the original attitude and characteristic of contemporary image documentary have undergone some changes. The focalo point of this transformation lies in the fact that they have been transformed from pure facts documentation and truths reporting to more liberal and imagination conceptual documents and planned archives. In other words, contemporary archives attempt to create a kind of critical position and forward-looking filled of vision, and thus transforming documentary power from pure uses of making images to a kind of timely practical experiences and projects, also the texts and treatise containing practical information existing in any culture, society, and polities beyond the value of documentary arts.