日本統治臺灣初始，臺灣原住民作為殖民者理蕃行政的對象，同時也是殖民地人類學的知識建構的對象。在殖民地治理與知識建構的展開過程中，也開始生產了民族誌影像檔案。臺灣原住民寫真檔案的形成，同時是殖民理蕃機構的官方民族誌與近代人類學運用攝影作為民族誌方法的產物。日治時期的人類學影像經驗（photographic experiences），除了作為原住民治理的紀實攝影記錄外，也是人類學以類型民族學影像，建構族群分類知識的再現紀錄。本文透過殖民統治初期的理蕃機構與人類學家的民族誌影像的分析，討論官方的紀實攝影，以及類型影像，並進一步透過人類學家田野日記中記錄的田野攝影經驗，討論影像檔案的生產過程，以及被拍攝者的反應。
民族誌方法、影像檔案、殖民地人類學、伊能嘉矩、鳥居龍藏、森丑之助、田代安定、移川子之藏、宮本延人
In the beginning of the Japanese colonial rule, Taiwanese aborigines soon became targets of the "savage administration" of the colonial government. They also were objects in the construction of the anthropological knowledge. In the unfolding of colonial governance and knowledge construction, the production of photographic images of Taiwanese aborigines developed as well. The formation of photographic archives of Taiwanese aborigines was part of official ethnography of the "savage administration" as well as the use of photograph as a modern ethnological method. Anthropological photographic experiences during this period were both records of documentary photography of aboriginal governance and of representation of constructing ethnic-type categories. Drawing on ethnographic photos taken by the "savage administration" and anthropologists, this article discusses official documentary photography and type photographs. It also analyses field experiences of anthropologists, the production processes of photographic archives, and the reaction of the photographed.
ethnographic method, photographic archives, colonial anthropology, Ino kanori, Tori Ryuzo, Mori Usinosuke, Tashiro Yasusada, Utsurikawa Nenozo, Miyamoto Noboto
