德勒茲的電影系譜： 電影與哲學互為的來龍去脈

Abstract

After his influential work Francis Bacon: Logic of Sensation, Deleuze published Cinema I: The Movement-Image and Cinema II: The Time-Image in 1983 and 1985, respectively. These two books present two critical concepts of Deleuze: movement-image and time-image. This paper aims to decipher the genealogy of cinema presented in these two film-related works with the goal of pointing out the direction for cinema from the long and short of the interlace between philosophy and cinema. The analysis does not only reveal the unique genealogy of philosophy in his "dynamism of think", an interactive realization between transcendental immanence and cinema, but also provide effective comprehension toward his contribution in art philosophy.