1912-1949年中國西洋美術史論著中的後印象派：以呂澂、豐子愷、魯迅和倪貽德之編（譯）著為例

Abstract

Outline of the Fine Art, the textbook edited by Jiang Danshu and published in 1917, marked the f irst f lowering of Chinese writing ofn Western art history, which peaked during the decade of 1928~1937, and went on hiatus in 1949. Intellectuals from various fields, including art teachers, painters, art critics, scholars, poets and novelists, joined in translating and editing European or Japanese works on Western art history, quite freely and casually, to feed a hungry market of art students and ordinary readers — in this way, more than 50 books were produced, the majority of which are neither real translations nor original works, but transitional products of cultural interaction. This article surveys the chapters on Post-Impressionism from five influential works on Western art history edited or translated respectively by Lv Cheng, Feng Zikai, Lu Xun and Ni Yide, offering analyses their descriptions and understandings of modern painting, and exploring the possible influence of these "impure" writings on Chinese modern art.