Loading
跳到主要內容
:::

攝影之樂:1950與60年代的台灣業餘攝影團體

The Pleasure of Photography: Amateur Photographic Societies in Taiwan during the 1950s and 1960s
當代影像的感覺結構:集置、編排與系列性-圖片
當代影像的感覺結構:集置、編排與系列性-圖片
盧施福,〈攝影之樂〉。(圖片來源:《中國攝影》,第1期,1946年10月,頁2)

摘要

在1937年對日抗戰爆發之前,中國大陸有非常活躍的業餘攝影團體及攝影創作活動。而當時在日本統治之下的臺灣業餘攝影者雖然沒有正式組織,但也有個別的活動,但是這樣的局面在1949年國民黨政府撤退到臺灣後有巨大的轉變。1953年由大陸來臺的攝影界人士將上海的中國攝影學會在臺復會,從此主導臺灣攝影活動的發展。1963年以臺籍人士為主的臺灣省攝影學會成立後雖然與中國攝影學會有競爭的關係,但是毫無當時政治的肅殺氣氛。這些政治上、地理上及省籍上的差別在追求「攝影之樂」的共同目標下,實際上在業餘攝影團體與攝影者之間並沒有後人想象中那麼大的影響。

關鍵詞

業餘攝影團體、業餘攝影者、中國攝影學會、臺灣省攝影學會

Abstract

Chinese amateur photographers were very active before the Sino-Japanese War in 1937. In the mean time, amateur or creative photography was also germinating in the Japanese occupied Taiwan. After 1949, amateur photographers from mainland China reestablished the Chinese Photographic Society with local photographers and dominated photographic activities. The photographic society of Taiwan founded in 1963 was considered main competitor of the Chinese Photographic Society. It had membership based mostly on native Taiwanese photographers. However, the competition between these societies was not as fierce as political scenes. The geographical, political and ethnic differences among these amateur photographers were obscured by the pursuit of "the pleasure of photography."

Keywords

amateur photographic societies, amateur photographer, Chinese Photographic Society, The Photographic Society of Taiwan

註釋

    相關文章

    回到頁首
    本頁內容完結